Murukesh Krishnan
Dubbed the 'King of Romance', Yash Chopra was not just an icon
but an institution in itself. Sixty years in cinema, fifty three years
directing films, Yash Chopra gave Bollywood some of its biggest blockbusters
that earned Indian cinema an international recognition. With his demise, an era
where beautiful poetry, lingering dialogues and immaculately dressed sets and
cast made a film, has said adieu.
Fifty-three years after he made his film
debut with Dhool Ka Phool, 37 years after he directed Deewar - probably the
most famous movie in any Indian language after Sholay - and barely a month after celebrating his 80th
birthday, Yash Chopra passed away in the city of Mumbai, his lady love for
the last six decades, on October 21 after a brief battle with
dengue.
Born
on 27 September, 1932 in Lahore, British India to a Punjabi
family, Chopra went to Jalandhar in 1945 for his education and later moved to
Ludhiana after partition. He was initially supposed to pursue a career in
engineering. However, his passion
for filmmaking brought him to Mumbai where he initially worked as an assistant
director to I.
S. Johar, and then for his director-producer brother, B.R. Chopra.
Chopra
received his first directorial opportunity in 1959 with the social drama Dhool Ka Phool. Produced by B.R.Chopra, the film starred Mala Sinha, Rajendra Kumar and Leela Chitnis. The film revolved around a Muslim bringing up an `illegitimate' Hindu
child. Encouraged by its success,
he made another hard-hitting social drama, Dharmputra (1961)
which was one of the first films to depict the scenario of partition of India
and the Hindu fundamentalism. The film was awarded with the National award for
Best Feature Film in Hindi.
Ittefaq followed.
A suspense movie based on a Gujarati play, depicting the events of a single
night, the film was deemed unusual by critics as it was one of the first Hindi
films which did not have any songs or an interval. It was eventually declared a
semi-hit at the box office and won Chopra another Filmfare award for best
director after Waqt (1965).
In
1971, Chopra founded Yash
Raj Films, thus terminating the creative collaboration
between him and his brother. His first independently produced film Daag, a melodrama about a man with two wives, was a great success. He then
made a number of classic cult films starring Amitabh
Bachchan, a collaboration that stretched beyond the
reel life.
His
films set the trend for the late 70s and 80s, establishing Bachchan as a star,
in his role as the angry young man. Chopra
won yet another Filmfare Best Director Award for Deewaar. Chopra produced, directed and scripted two more films
starring Bachchan. First, it was Kabhi
Kabhi(1976) followed by Silsila(1981).
The
first film he directed and produced was Mashaal(1984),
his first collaboration with the legendary actor, Dilip Kumar.
In
1993, Yash Chopra directed then-newcomer Shah
Rukh Khan alongside Juhi
Chawla and Sunny Deol in
the musical thriller Darr. It established Khan as a bankable star. He then directed, produced and
co-wrote the 1997 highly successful romantic musical Dil To Pagal Hai, starring yet again Khan in a love triangle with Madhuri Dixit and Karisma Kapoor.
The
film became the second highest grosser for the year. It won many awards, sweeping
seven Filmfare Awards including
that of Best Film and three National Awards, notably for Best Film providing
popular and wholesome entertainment.
Chopra
then took a vacation from directing and focused solely on producing films for
over eight years. However, in 2004, he returned to direction with the love saga Veer-Zaara. Starring Khan again, Preity
Zinta and Rani
Mukerji in the leading roles, the film was the biggest hit of 2004 in both India
and overseas, with a worldwide gross of over Rs. 940
million and was screened at the 55th
Berlin Film Festival to critical appreciation.
In
September 2012, in a special interview with actor Shah Rukh Khan, Chopra announced that Jab Tak Hai Jaan would be his last directorial venture and that he will opt to focus on
his production company and his personal life. For the shoot of the last
remaining song in Jab Tak Hai Jaan, Yash Chopra had a grand vision: a sari-clad
Katrina Kaif romancing Shah Rukh Khan in the lush meadows of the Swiss Alps. Unfortunately,
his illness foiled the plan for the song, which would have reflected his
trademark directorial style. Chopra’s trip to Switzerland with SRK and Katrina
had to be cancelled after he passed away.
A
recipient of 3 National Awards and 14 Filmfare Awards, Yash Chopra was honoured
with the Padma Vibhushan in 2005. He also earned himself a lifetime membership
to BAFTA for
his contribution to the Indian film industry. He is the first Indian to be honoured
at BAFTA in the 59-year history of the academy.
The list’s endless!
Loved
and admired by all, Yash Chopra leaves a legacy behind him- a legacy of
directors who believe in the Yash Chopra-style of filmmaking. As long as films
will be made, Yash Chopra will be remembered.
As
he himself puts it, in his last public address-
“Meri
tedhi medhi kahaniyaan, mere hasnte rote khwaab,
Kuch sureele besure geet mere, kuch ache bure
kirdaar,
Woh
sab mere hain, unn sab mein main hun...
Bas bhool na jaana, rakhna yaad mujhe,
Jab Tak Hai Jaan, Jab Tak Hai Jaan...”
